Top Five Live Versions of TCYR's Gonna Breakdown

On today’s #ThrowbackThursday, DJ Caterina counts down the TOP 5 live versions of “Gonna Breakdown” by Tommy Conwell and the Young Rumblers on YouTube. Why? Because…TOMMY CONWELL AND THE YOUNG RUMBLERS PLAY THIS SATURDAY, NOVEMBER 19!!! 

Phew. Got that out of my system. 

HONORABLE MENTION: Gonna Breakdown - Tommy Conwell and the Young Rumblers at the Ambler Music Festival, 6/14/14. 

What would a Tommy-Conwell-guitar-solo™ be without seeing Tommy precariously perched from a very high point on the concert stage? Exactly.

 

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#5. Gonna Breakdown – Tommy Conwell and the Young Rumblers, Nov 6, 2010. 

The audience sing-along, a tight band and great concert energy at the now-gone Blockley Pourhouse.


 

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#4. Gonna Breakdown - Tommy Conwell and the Young Rumblers at the Electric Factory in Philadelphia, November 23, 2012. 

What a great venue. What a great night of music. Tommy’s vocals are amazing. EVERYTHING IS AMAZING! And I was there!




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#3. Gonna Breakdown - Tommy Conwell and the Young Rumblers at the Bay Center in Dewey Beach, Delaware, Aug. 21, 2010. 

This concert was a rehearsal (of sorts) for TCYR’s “reunion” Philadelphia concert (see #5) at the Blockley three months later.


 

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#2. Gonna Breakdown - Tommy Conwell and the Young Rumblers in Italy, 1989. 

It’s the third month of 1989 and this is the best band on tour in Europe. What band am I talking about? Tommy Conwell and the Young Rumblers, that’s who. And listen for Chris Day’s soaring background vocals!

Other dates in Europe:
- 03 MAR 1989 :::: Lund, Sweden – Mejeriet 
- 06 MAR 1989 :::: Hamburg, Germany - Grosse Freiheit 
- 10 MAR 1989 :::: Amsterdam, Netherlands – The Paradiso




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#1. Gonna Breakdown - Tommy Conwell and the Young Rumblers at the Pennsylvania State Fair in Bensalem, PA, Memorial Day 1989. 

The 80s. Enough said.

Tommy Conwell and the Little Kings, Rockabilly Rumble - Aug. 17, 2014

Tommy Conwell and the Little Kings performed at last night's Rockabilly Rumble at World Cafe Live at the Queen.

And to quote me, DJ Caterina:

"How was I not at this concert--these are all my favorite Tommy Conwell songs!!!"

Setlist:

• Pony Time
• All God's Children Wanna Rock
• That's All
• Betty Jean
• Boogie Pickin'
• Bip Bop Bip
• Miss Shake It
• I'm Not Your Man
• Workout
• Roll With Me Honey
• Moanin'
• Want You To Feel Good Too
• Get Down and Ride
• Guitar Trouble
• Honey Hush  

Rumblin' Man - University of Delaware article, 1987

The Review
University of Delaware, Newark, Delaware
Friday, March 6, 1987
Rumblin’ Man
by Lori Poliski, Copy Editor

                “We played to one person once. Her name was Mary. I remember thinking, ‘What do you do when there is only one person? Do you talk to her and say, so what do you want to hear next, Mar?’
                “But we played as if there were 10,000. We just wanted to play and be great!”

                A lot has changed since the summer of 1984 when Tommy Conwell and his band, the Young Rumblers, played for Mary at The Tide in Long Beach Island.
                Gone is the single-member audience. Goodbye Mary…pleasure meeting you.
                Philadelphia’s hottest rock ‘n’ roll band is rapidly climbing the ladder to success. Each nightclub and bar they play – filled to capacity with Rumbler fans – is one rung closer to the top.
                The rockin’ Rumblers have also played their fair share of big-stage shows at the Spectrum, the Mann Music Center, the Tower Theatre and JFK  Stadium, opening for the likes of Robert Palmer and The Pretenders.
                Walkin’ on the Water, their debut album, sold over 30,000 records and cassettes within a month after its release in January.
                Despite the transitions the band has undergone recently, such as adding two more members and recording an album, one thing has remained the same – Tommy Conwell still just wants to play rock ‘n’ roll, no matter how big the audience is.
                “Every show is wild – just being out there with all the people psyches you up; that’s when you get out there and start doing your thing.
                “Our number one priority, our main job, is performing,” Conwell explained. “The other things, like the publicity, the promotion and making records go along with it – it’s all fun.”
                 Doing his thing and making music has been the Bala Cynwyd, Pa., native’s main concern since he bought his first electric guitar – when he was a sophomore at Lower Merion High School.
                In fact, Steve Cass, a high school buddy of Conwell’s, recalled that then, as now, music was the driving force in his life.
                “Tommy was always into music. At lunchtime he would go off somewhere to practice. And all of his friends were musicians. They would play anywhere, like a garage or a basement.
                “He gave me a ride home from school one afternoon and he had just bought the new Police album; he played “Walking on the Moon” over and over and over...yeah, he was always into (music).”
                The rumble started a long time ago. Fans can thank his grandmother, strangely enough, for his initial interest in guitar playing. When he was a teenager, she gave him a ukulele and taught him a couple of tunes.
                “My grandmom gave me a uke and taught me two songs, ‘Who’s Sorry Now’ by Connie Francis and ‘Underneath the Bamboo Tree,’ [an old jazz tune]. I realized I could play uke chords on the guitar and I said, ‘Hey, I’m a guitar play and I didn’t even know it,’” he reminisced.
                Ever since the ukulele lessons and the lunchtime jam sessions, Conwell has made leaps and bounds to the front of the Philadelphia music scene. Several cuts from Walkin’ on the Water have received heavy air play from local radio stations, such as WMMR, WIOQ and WSTW.
                Conwell, who’s booked months in advance, plays to rowdy, animated audiences four or five nights a week. He thrills audiences with his theatrical style – crowdwalking, playing the guitar between his legs and behind his back or jumping onto amplifiers.
                “When I jump on my amp, my pants rip sometimes and that can be pretty embarrassing,” he said.
                The 24-year old Conwell formed the Young Rumblers just three years ago. Before that he played bass in the Zippers in 1982, a Newark-based acoustic punk band. A year later he was the lead guitarist for Rocket 88, a rhythm-and-blues group. The Rumblers current lineup includes original members Paul Slivka, on bass, drummer Jim Hannum, plus keyboardist Rob Miller and guitarist Chris Day.
                The life of a successful lead guitarist might sound like a non-stop party to some people, but even though Conwell like to have some fun, in his limited free time he enjoys staying at home.
                Performing comes easy to Conwell, but he said songwriting, provides the biggest challenge.
                “Writing songs is definitely the hardest thing, because it is the biggest risk. You are laying yourself on the line and I think it probably gets harder as you get bigger, too.
                “When I’m writing a song now, I’m thinking ‘Oh my god, millions of people are going to hear this’ – it’s not just, ‘Oh, a couple of drunks in a bar will like this one,’” Conwell laughed, clutching his head in mock tension.
                Even though the Young Rumblers are on the brink of making it big, there were times when Conwell doubted his talent.
                “I never really wanted to do anything else, but I thought I might have to. I used to think, “I’d like to be a musician, but I’ll probably end up teaching English.’ I just always wanted to play,” said the former university English student, who at one time worked in the music library in the Amy E. DuPont building.
                Conwell said his parents resisted his pursuit of a career in music at first, but it soon subsided.
                “I never said, ‘Hey Mom, I want to be a rock ‘n’ roll star.’ She would have sent me to a mental institution.
                “They saw that I was totally happy playing music. I was making good money, and doing something I liked to do.”
                He told them he had to either quit playing or quit school. “I can always go back to school,” he reasoned.
                Tonight, Conwell returns to the State Theatre, where the Young Rumblers had one of their first gigs.
                “There are a lot of good memories in Newark. We used to rehearse behind the big screen at the State. We learned a lot of our songs there.”
                Although Conwell is confident of his talent, he keeps his potential for success in perspective. He doesn’t think fame will change him.
                “How do you measure fame? Who knows and who really gives a sh--. I just want to be the best at what I do.”
               

Hideaway(live) - Tommy Conwell's Young Rumblers [1984]

Tommy Conwell's Young Rumblers [3-piece band] cover Freddie King's "Hideaway" in 1984 at the Deer Park Tavern in Newark, DE.

Living Room (live) - Tommy Conwell's Young Rumblers

Tommy Conwell's Young Rumblers (3-piece band) perform "Living Room" live on WXDR radio in Newark. (1985)

Six Days on the Road (live) - Tommy Conwell's Young Rumblers

Tommy Conwell's Young Rumblers (3-piece band) perform "Six Days on the Road" live on WXDR radio in Newark, 1985.

Young Rumblers Keep Cruisin' - November 23, 2002

The following is an excerpt from articles originally found on www.mpprojects.com/tc. 

 "The 80’s are back!”

... roared Tommy Conwell to those out to celebrate the anniversary of the legendary Stone Balloon in Newark, Delaware. The Young Rumblers reunion lineup included frontman Tommy Conwell, guitarist Chris Day, bassist Paul Slivka, drummer Jimmer Hannum, and a stand-in keyboardist.

(Relaxing after the gig, Tommy commented, “It would have been nice if Rob Miller could have attended. He’s in California. Rob always seemed to improve the quality of our live performances.”)

Despite the absence of Rob Miller and years of separation, the band showed no visible signs of musical decline or indifference to the songs from their past. The Young Rumblers appeared to be inspired by a glowing acceptance from the crowd who came prepared to dance, sing, and party. After each song, Tommy, with beat-up Telecaster in hand, warmly acknowledged dozens of familiar faces like his buds from Skid Row at the University of Delaware. 

Chris Day, decked out in black leather and clutching his weathered Stratocaster, performed his own cabaret by mugging and posing for any girl. At one break, Tommy and Chris Day jokingly struggled to recall the names of their former Rumbler roadies in attendance. Who else acknowledges the roadies these days? 

“Rumble sold 300,000 copies -- which are all in my mother’s basement!” Tommy exclaimed. Tommy’s set list seemed primed to showcase the Rumble album in particular, with a focus on songs rather than guitar jams and blues covers. 

The Young Rumblers ignited the evening with rocker-friendly originals including “Here I Come,” “Half a Heart,” “Love’s on Fire,” and “Everything They Say is True.” Like fine Bordeaux, which gets better with time, “Half a Heart,” caught me by surprise with a very catchy riff and inspired back-up vocals. Tommy dealt with one heckler named Wolfman, who kept shouting for “Roadside,” by saying, “Here’s a song better than that!,” and launched into “Gonna Breakdown.” 

“That’s Dr. Harmonica on harmonica,” Tommy joked as Delaware’s blues legend took to the stage to close out “I’m Not Your Man.” Only problem was that his harp was in one of the many pockets on his leather jacket that he had trouble locating. However, with weapon in hand, Dr. Harp played to the delight of all. Even twelve years later, Tommy found himself covered in cigarettes during the intro to “Walkin’ on the Water.” As expected, “Workout” was punctuated with Tommy jumping off the stage and slowly maneuvering through the crowded pit of fans. The only songs from the set list that never appeared on a Tommy Conwell and the Young Rumblers' album were “Cruisin’ Slow” and the 1956 Jimmie Roger's blues classic performed by Chris Day called “Walkin by Myself.” 

“If you remember this song, you are OLD!” Tommy tells the crowd before launching into the highlight song of the evening- “Cruisin’ Slow.” I always thought this Rumbler tune showcased their secret formula of youthful bravado, catchy guitar riffs, and riveting back-up vocals. Why Columbia chose never to include that gem on an album I will never understand. Who cares! It sounded fresh in 2002. The band cut the set list short due to the dreaded 1 a.m. last call in Delaware and closed with “If We Never Meet Again” -- exiting stage left quickly. 

Bassist Paul Slivka was the last of the Rumblers to leave the stage, slapping hands with his loyal admirers. Jimmer Hannum ended the night with his old brown cowboy hat on head and a huge smile on his face. 

The Young Rumblers partial reunion reminded me that Tommy Conwell indeed blossomed from his garage band days in Delaware and developed a catalog of catchy songs that have become timeless. Even amid all the good fun at the Balloon, it was nice to see the Young Rumblers originals stand up after so much time. In Wolfman’s last quote on this website, “They’re back!” 

Cheers to Jim Baeurle, owner of Stone Balloon, and opening acts Lauren Hart, John Faye’s Ike, and Andy King’s Jack of Diamonds.
~ November 23, 2002

Rockett 88 - Got the Boogie Disease

Rockett 88 performs "Got the Boogie Disease" with Tommy Conwell playing his classic guitar at the University of Delaware's TV production studio in 1983. 

Video is courtesy of The music scene in the 1980's - Wilmington, Delaware Facebook page.

Audio Rumble Presents | A Tommy Conwell Rockumentary | Beginnings

This is the second installment in Audio Rumble's Tommy Conwell rockumentary.

UT-Dallas Emerging Media and Communication grad student DJ Caterina creates a rockumentary on Philadelphia guitar player, Tommy Conwell. This film is a curation of videos, songs and performances (documentary-style) and features an exclusive interview with Tommy Conwell about his musical influences, his role as a performer, old interviews and exclusive video and audio footage.

This is the official submission of a capstone project for completion of the Masters of Arts (MA) in Emerging Media and Communication degree at the University of Texas at Dallas.

All material within used for educational purposes only and is protected by individual copyright.

Walkin' On the Water Radio Interview, 1986 - Tommy Conwell, Paul Slivka

A December 1986 interview with Tommy Conwell and Paul Slivka on 93.7 WSTX-FM with Bob Bowersox.

Tommy and Paul discuss the new release of Tommy Conwell and the Young Rumblers' first independent album on Antenna Records, Walkin’ On the Water. Tommy reminisces about the first Young Rumblers gig at University of Delaware in Newark - Skid Row Beach Party, Feb. 24, 1984.

The boys also talk about the addition of two new members: Chris Day and Rob Miller and Walkin' On the Water's record producer, Andy King, bass player for The Hooters.

You can purchase the Walkin' on the Water CD at the Tommy Conwell Store.

Tommy Conwell and the Young Rumblers Reunion

Tommy Conwell and the Young Rumblers are bringing an 80's reunion of the original 'Rumble' line-up: Tommy, Rob, Chris, Paul, and Jim. The last time that the DJ Caterina caught a Young Rumblers reunion show was an epic night! The crowd was so awesome that Tommy said we kicked his ass! Yeah, we did!

When: Sat., Aug. 21, 2010
Where: The Bay Center at Ruddertowne, Dewey Beach, DE
Price: $20

I'm Not Your Man - 1988 Article

Tommy Conwell shoots first video from News of Delaware County, July 20, 1988.

"This was the scene this past Monday at Ardmore's 23 East as Tommy Conwell and the Young Rumblers shot their first video, "I'm Not Your Man," for Columbia Records. The band invited 200 fans to participate in the taping. The first Columbia album is due in early August...."

With the December closing of the Stone Balloon, Delaware loses a part of its musical history

With the December closing of the Stone Balloon, Delaware loses a part of its musical history 
by Michael Pollock
Out and About Magazine, December 2005

  

  
     When Newark’s Stone Balloon shuts its doors for the final time on Saturday, Dec. 17, it will take with it the memories of more than 33 years of musical performances. But the stories, it seems, have a life of their own. 
     Founder and former owner Bill Stevenson remembers that sweltering August night in 1974 when a young Bruce Springsteen wouldn’t leave the stage. Elvin Steinberg, who took over the bar in 1985, recalls bumping into Ray Charles in his upstairs dressing room after Charles’ appearance that same year. Current general manager Tim Tully can still picture the 100-plus kids on the roof of what is now the Learning Station, all hoping to get a glimpse of Metallica when they played in 1989. 
     Today’s customers, many of them UD students, are too young to recall any of these shows. For them the Balloon has come to symbolize Thursday Mug Nights, long lines, overflowing toilets, and DJ dance parties. The thrill of discovering a new band on stage is long gone. 
     Current owner Jim Baeurle, 42, remembers when Train played the Balloon two years ago. Though it was a sold-out show, Baeurle says only 12 of the tickets were sold to students. “It’s a different kid that goes to the university now,” he states. “It’s a tougher school to get into, and [the students] don’t go out as much. When I went here we’d be at the Balloon three or four nights a week.” 
     Baeurle will be tearing down the Balloon and replacing it with condos. He says one of the main reasons he decided to close the bar is the lack of support for live music. “It’s dramatically less than what it was 10 years ago,” he says. “When I grew up, you followed a local band wherever they played, because you felt like you needed to support that band. That’s completely evaporated now.”         
     Baeurle says the immediacy made possible by downloading has also hurt business. “There are so many other ways to get music now,” he says. “People might like a song but they don’t want to invest anything in the band. They don’t even want the album—they just like one song. I can’t tell you how many albums I bought based on one song where I ended up falling in love with the band.” 

Mastering the Middle Man 

     If Baeurle had been running the Balloon in the ’70s and ‘80s, he wouldn’t have had to worry about the fate of live music. It was flourishing, and the Balloon was the best place in Delaware to find it. National acts like Cheap Trick, Hall and Oates, Todd Rundgren, Robert Palmer, Dr. John, Blood, Sweat and Tears, the Average White Band, Canned Heat, and David Crosby all paid visits, while local bands like Jack of Diamonds, Dakota, and Tommy Conwell and the Young Rumblers cut their teeth in front of packed crowds. 
     By the mid-‘80s, owner Bill Stevenson, who had run the bar since it opened in February 1972, was facing money troubles. He sold the Balloon to a group of local investors who attempted to transform it into a cabaret-style venue. The makeover didn’t go over well with customers and soon the owners were looking for a way out. They sold the bar to Elvin Steinberg, who quickly restored the Balloon’s reputation for cutting-edge music. “Elvin Steinberg saved the Balloon,” says Stevenson, now 57, who had a major falling out with the investors. 
     Among the acts Steinberg booked during his tenure: Ray Charles, Joe Jackson, Iggy Pop, Metallica, Joe Walsh, and Violent Femmes. Steinberg also was responsible for bringing in Love Seed Mama Jump, an energetic rock band that quickly won over audiences. A key to Steinberg’s success during this time was his mastering of the middle agent structure. Middle agents would acquire tour schedules and identify gaps between dates, allowing smaller venues in nearby cities to score big names. For bands, it’s a chance to squeeze in an extra show and make more money. 
     In his new book, Stone Balloon: The Early Years, Bill Stevenson tells the story of how he almost got the Rolling Stones to play the bar because of this strategy. The band was looking for a nearby location to play a few songs the night before their Philadelphia concert in September 1981 and had contacted the Stone Balloon. Much like the Metallica show years later, there was to be no advertising or mention of the Stones’ appearance, or the gig was off. The night of the show, Stevenson arrived at JFK Stadium early to meet the band. They were preparing for the following night’s performance, but a wind storm had kicked up, making their sound check impossible. Stevenson hung around for four-and-a-half hours trying to persuade the band to forget about their sound system and come to Newark. At 11:30 p.m., he realized it was a lost cause. “Every time I see something about the Rolling Stones, I think of what could have happened,” he writes.

A Step Up from Other Places 

     Stevenson writes that the Stones selected the Balloon because of the bar’s reputation as a first-rate rock club. It’s the Balloon’s definitive characteristic over four decades of presenting live music. “There’s not a better gig in terms of crowd participation,” says Jefe, lead singer and guitarist in Burnt Sienna, a local cover band that started playing the bar in 1997. “A lot of places you’ll play, people are only into it at their own leisure. But at the Balloon, they know what to do from the get-go.” 
     Tommy Conwell, a former DJ on WYSP whose group, the Young Rumblers, was a popular crowd-draw in the late ‘80s, remembers how well the Balloon treated its bands. “Playing the Balloon was a big deal for a band like us,” he says. “It was a step up from most of the places we had played.” 
     To show his appreciation for the local artists that have played the bar, Baeurle has invited Conwell and all five of the original Rumblers for a headlining performance on the Balloon’s last night. The death of the club represents not only the loss of a local institution, but a loss for the area’s live music scene.
        Baeurle expects smaller Newark venues like East End Café and Deer Park Tavern to pick up the slack, but admits it won’t be the same on Main Street. 
     “There’s definitely a void now,” he says. —The Stone Balloon will hold a three-night farewell beginning with its final Mug Night on Thursday, Dec. 15. A “Newark Locals Goodbye” featuring a book signing with Bill Stevenson and a performance by Club Phred will be held on Friday, Dec. 16. On Dec. 17, the Stone Balloon closes its doors for the final time with “The End of the World as We Know It,” featuring performances by the Snap and headlined by Tommy Conwell and the Young Rumblers. Tickets for Thursday and Friday are required and will be sold at the door. Tickets for Dec. 17 can be purchased through Ticketmaster. 

Behind the Balloon

• Former owner Bill Stevenson booked Bruce Springsteen to play the Balloon in 1974 after being blown away by The Boss’s performance at New Jersey’s Stone Pony (though Stevenson says the bar itself was a dump). Springsteen was paid just $2,500—considered then to be a huge figure—for a show that lasted five hours and well past closing time. 
• Meatloaf, who weighed more than 300 pounds during his heavier days, required the use of oxygen tanks during several Balloon performances because of his breathing problems. 
• As he recalls in his book, Stone Balloon: The Early Years, owner Bill Stevenson had plans to seduce Pat Benatar when she played the club in 1980. Benatar, however, ended up getting engaged to one of her band members the night of her performance. 
• An unknown Jane’s Addiction opened for Iggy Pop during a show in the late ‘80s, but got booted after urinating on a wall and stage-diving in their underwear during Iggy’s set. They hold the distinction of being the only band that’s ever been kicked out of the Balloon. 
• During Metallica’s legendary 1989 show, a crowd surge knocked down the metal railings near the stage, leaving exposed nails near the pit. Remembers Tim Tully, who was a doorman at the time: “We had to send all the bouncers and bartenders down there so nobody would get impaled.” 
• Before Eddie Murphy’s musical performance in the early ‘90s, former owner Elvin Steinberg was surprised to see him hanging out inside the Balloon. After a closer look, Steinberg realized it was actually Eddie’s brother Charlie (of Chapelle’s Show), who was busy playing pinball.
• Hootie and the Blowfish played the Balloon to an audience of about 20 people and were paid just $600. 

Last Concert at the Stone Balloon

The following is an excerpt from an article originally found on www.mpprojects.com/tc.

December 2005

I traveled last weekend from Dallas to Philadelphia to see my favorite band play live for the first time. Tommy Conwell and the Young Rumblers reunited for the closing of the Stone Balloon, a club in Delaware that has featured great musical acts over the last thirty years like Ray Charles, Cheap Trick, The Ramones, Metallica, and Bruce Springsteen.

Philadelphia Airport
After my arrival, the first order of business was to drive forty minutes south to Delaware . Since I had never traveled to this part of the country, I wanted to do a "dry-run" drive for getting to the concert later. Once I found the club, I decided to walk around the area.

I went around the back and saw some guys standing at the back door. I asked if any of them worked at the club. In the conversation, I mentioned that I had just taken a flight in from Dallas to see the concert, when one of the guys came forward and said, “Well, come on in to the club – you came a long way to see this band!" This guy was Chris Day, guitarist for the Young Rumblers. I didn't realize it was him until he told me his first name. As it turns out, the band was getting ready for their rehearsal -- and as I walked into the venue... there was Tommy -- onstage! Chris said that he didn’t see a problem with me being there to watch them practice since I had come such a long way for the concert.

Soundcheck
I found an inconspicuous corner to watch the guys set up onstage. (I was so excited to be there!) Some of the sound crew started chatting me up about my trip -- when Tommy walked by, one of them said “Hey Tommy! This girl came all the way from Dallas to see you.” And Tommy said “Are you Catherine?” and greeted me with a big hug. Then right before rehearsal, Tommy called me over and told me to take the stairs on the side to get on the stage. He then introduced me to each of the Young Rumblers as the fan/college DJ who came all the way from Dallas to see the Young Rumblers play live for the first time ever. I was so honored! (Chris announced that he was the one who let me into the club in the first place!)

Rehearsal
The band kicked off rehearsal with Here I Come.The band gave me permission to take pictures for the entire rehearsal. It was so great to hear all my favorite Young Rumblers' songs – and I knew the words to every song they rehearsed – even Space Cowboy!

Showtime!
The concert later on in the evening was absolutely incredible. It was so great to be there, to share in the history of the event, and to see the last concert at The Stone Balloon with Tommy Conwell and the Young Rumblers. 

Although the reunion of the Young Rumblers was an event unto itself, Tommy made sure that the emphasis was on everyone realizing that it would be the last night for music at The Stone Balloon. 

One of the more poignant events of the evening was when he shared his memories of all the people who had played there, including how he had once sat outside on the steps listening to music being played inside and onstage when he was too young to get in. He ended each of his tributes and remembrances with a thoughtful “Cheers, cheers…”

The Stone Balloon ended its last show with a class act, indeed!