Showing posts with label Dan DeLuca. Show all posts
Showing posts with label Dan DeLuca. Show all posts

Friday, March 29, 2024

Buzz Zeemer, Lost and Found, Philadelphia Inquirer Article - March 29, 2024

 ENTERTAINMENT | MUSIC

The pandemic made a Philly power-pop band go digging for its old songs. Today, it’s playing its first shows in 17 years.

'Lost and Found' by Buzz Zeemer is an unearthed gem from the 1990s. The group, fronted by Frank Brown and featuring Tommy Conwell, plays two shows at Ardmore Music Hall tonight.

Buzz Zeemer, the Philly power-pop band, is led by singer Frank Brown (left) and guitarist Tommy Conwell, seen rehearsing here in Manayunk on Monday, March 25, 2024.
Steven M. Falk / Staff Photographer

by Dan DeLuca
Published Mar. 29, 2024, 5:00 a.m. ET

High on the short list of Philadelphia bands that coulda, woulda, and shoulda made it big in the 1990s is Buzz Zeemer.

The power-pop outfit fronted by songwriting savant Frank Brown and local guitar hero Tommy Conwell grew out of Brown’s previous band, Flight of Mavis, which, like Buzz Zeemer, featured drummer Ken Buono and bass player Dave McElroy.

Buzz Zeemer packed Philly clubs like Upstairs at Nick’s and J.C. Dobbs, played CBGBs in New York, and traveled twice to the SXSW festival. Two stellar albums — Play Thing in 1996, and Delusions of Grandeur two years later — were released on Philly’s Record Cellar label before the group split.

Since then, the band — named after a neighbor of Brown’s in Horsham who frequently operated a chainsaw — has played just one gig, a reunion at the Grape Room in 2007.

Last September, a newly unearthed album of the band’s previously unreleased material was released. Called Lost and Found, its 14 tunes are so good that it’s puzzling why they stayed in the vault so long.

On Friday, a deluxe streaming version with five bonus tracks will be launched by the band’s manager and ardent supporter Pat Feeney, who owns Main Street Music in Manayunk.

The band will celebrate with two shows at Ardmore Music Hall on Friday. First, the quartet will do a Free at Noon broadcast on WXPN-FM (88.5), followed by a full-on performance with the Tisburys opening. The evening show will be streamed on live music platform Nugs.net.

This week, The Inquirer spoke to Brown and Conwell, their guitars at their side — a Les Paul and Fender Telecaster, respectively — at the Manayunk rehearsal space where, along with Buono and McElroy, the band has been working up nearly three dozen sparkling 3-minute pop songs from Brown’s Buzz Zeemer songbook.

Philly power-pop band Buzz Zeemer in the 1990s. Left to right, Ken Buono, Tommy Conwell, Frank Brown, and Dave McElroy. The reunited band's new album of unreleased material is "Lost and Found." The quartet will play a Free at Noon concert at Ardmore Music Hall on Friday, March 29, that will be broadcast on WXPN-FM (88.5) and then again that night at the same venue.

Back in the 1980s, Brown, 59, remembers hearing Tommy Conwell & the Young Rumblers’ “I’m Not Your Man” on WMMR-FM (93.3) while driving to high school when Conwell, the Hooters, and Robert Hazard and the Heroes were Philadelphia’s great rock and roll hopes.

In 1988, Flight of Mavis opened for the Young Rumblers at the Chestnut Cabaret. “They made an impression,” says Conwell, 62, who had a two-album run on Columbia Records that came to an end with Guitar Trouble in 1990.

“I was sitting in my kitchen, and my manager called and said ‘Tom, we got dropped,’ Conwell, who grew up in Bala Cynwyd, recalls. “And I cried.’”

Putting rock star aspirations behind him, Conwell got a degree from Chestnut Hill College and taught third grade for five years while playing locally with his Blues-based combo Tommy Conwell & the Little Kings.

By the time Conwell started playing with Brown, Buono, and McElroy in 1995, the trio who grew up together in Horsham had also been through the music industry wringer.

The album cover to Buzz Zeemer's "Lost and Found." The Philly power-pop band plays a Free at Noon show at Ardmore Music Hall on Friday and a second show that evening at the same venue. MSM Records.

Flight of Mavis first caught Feeney’s attention when he was working at Neil Drucker’s Record Cellar store in Northeast Philly.

The teenage trio gave him a tape, and “I couldn’t get the songs out of my head,” he says. It brought to mind Marshall Crenshaw, as well as Brown’s heroes, Nick Lowe and Terry Adams of NRBQ.

Flight of Mavis’ debut came out in 1989, and the band flirted with big-time success, touring steadily and opening for Sinead O’Connor on a run of dates that year. By the early 1990s, the band was without a deal and frustrated.

“I was tired of it,” Brown says. The band called it quits, but Brown kept writing songs “and they kept getting better,” says Feeney. “More mature.”

“I know it seem ridiculous,” Brown says, “to have two different bands with the same three people in them.” But Brown, Buono, and McElroy started recording new material with producer Adam “Red” Lasus at his Queen Village studio, this time as Buzz Zeemer. When Conwell heard a demo tape, he was blown away. “This is out of character for me, but I said to Ken, ‘This is amazing music. If you ever need a guitar player, give me a call.’”

Before long, they did. Their fourth member, guitarist Kevin Karg, couldn’t make a gig at the Grape, and Conwell stepped in, injecting the indie band with wildcat rock star energy. “I was having a ball,” he says. When Conwell formally joined the band, the band started fresh with Play Thing and left the older tracks behind.

Many Lost and Found songs feature Conwell, like the jangly earworm “Shelly Don’t Mind,” that XPN has been playing regularly. Others feature guitarists like Karg, Kevin Salem, and Philadelphia players such as Andrew Chalfen and Mike “Slo-Mo” Brenner.

Buzz Zeemer flirted with wider success. They “knocked me out the first time I laid ears on them,” Peter Jesperson, cofounder of the Twin Tone label who discovered the Replacements, recalls on the Lost and Found notes. “This is classic power pop!”

But no label deal materialized, and the band — now older, starting families, and no longer committed to relentlessly touring — split up.

Meanwhile, Feeney kept listening to the songs that would become Lost and Found. “I always loved it. I always wanted to put it out.”

Buzz Zeemer, the Philly power-pop band, is back performing together. It's led by
singer Frank Brown (left) and guitarist Tommy Conwell.
Steven M. Falk / Staff Photographer

Brown and Conwell both stayed active in music. Brown lives in Havertown, teaches fourth grade math in Upper Darby, and fronts Travel Lanes, which released Let’s Begin to Start Again in 2015 and On in 2020.

Conwell, who lives in Oreland, works for his brother-in-law’s company, the Fence Guys. He reassembled the Young Rumblers for 2019′s Showboats & Grandstanders and is headlining the Wayne Music Festival with them on June 8.

During the pandemic, Brown started digitizing old cassettes. He found a rough mix of a song called “C’mon If You Can” to be “just blazing.”

He sent it to Feeney, and the two started digging for songs, turning up 22 that hadn’t been released. “The whole thing has been a labor of love,” says Feeney.

It’s been a challenge pulling a show together with Buono living in Nashville and McElroy in Virginia. But for Buzz Zeemer to get back together, Flight of Mavis needed to reunite first.

So in June of last year, Brown, Buono, and McElroy played a Flight of Mavis date at Wayne’s 118 North. “I hadn’t played with those guys in forever,” said Brown. “So that was really the first step.”

The show sold out the 180-capacity room, gathering old fans to sing along, and pointing ahead for Friday’s show at Ardmore, a venue three times the size.

Conwell is “really excited” to be back on stage with the band. “Buzz Zeemer is some of the best music I’ve ever played. There’s craftsmanship to Frank’s songs. But a lot of art there, too.”

Going forward, one gig a year sounds good, he thinks. “I don’t see why we couldn’t do it again.”

But first things first, says Brown. “This is a big deal. We’ll see if we can pull it off.”

“It won’t be flawless,” says Conwell, with a laugh. “But it will be fun. The spirit will live.”

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Dan DeLuca
I cover pop music, from what's happening in the local scene to national trends and touring acts.



Wednesday, March 9, 2016

Buzz Zeemer Billboard Magazine mention - October 1995



"…melodic pop-rock band Buzz Zeemer…has stepped up to the most-unjustly unsigned level since adding Tommy Conwell on lead guitar."

- Billboard Magazine, Indie Labels Discover Freedom in Philly – 10/28/1995

Wednesday, March 11, 2015

Buzz Zeemer - Critic Reviews [1995 - 1999]

Various Buzz Zeemer critic reviews (Plaything in 1996 and Delusions of Grandeur in 1998) compiled by Audio Rumble from the now defunct Record Cellar website.
"Heavy-hitters ... if the word 'catchy' didn't exist, someone would have to invent it to fully describe these guys."
- Reggie Beehner, University Reporter, 2/96


 "The hook on 'Crush' is so infectious you want to loop it over and over and play it forever."
"...For three minute pop songs there isn't a better songwriter around than Frank Brown..."
- Bruce Warren, Philadelphia Weekly 3/98, 6/96
"Only February, and already we have the local debut album of the year. ...Buzz Zeemer has something most don't -- songs, packed with chugging rhythms, sprightly bridges, and hooks galore."
- Ed Hewitt, Montgomery County Newspaper's Ticket 2/96 
"Frank Brown, the songwriter of Buzz Zeemer, owns a special place among area talents who deserve wider recognition. For nearly a decade, he's improved steadily, honing a personal approach and writing songs far more sophisticated than those of like minded major-label bands. The wry Delusions finds him still plugging away. It's got crisp rock laments, astringent Elvis Costello pop hooks, forays into pure 60's pop, and a few of those galvanizing moments when blind fury crystallizes into something that sounds like wisdom."
- Tom Moon, Philadelphia Inquirer, 1/99
"Frank Brown's power pop anthems just keep getting stronger, especially with Tommy Conwell now riding shotgun on guitar and harmony vocals. As modern and catchy as anything put out by critics' darling Paul Westerberg, ..."
- Jonathan Takiff, Philadelphia Daily News, 1/99
"Another Buzz Zeemer album, another enticing bunch of songs catchier than anything on the radio."
- Dan DeLuca, Philadelphia Inquirer, 12/98
"I'm not sure these guys are delusional; this is a grand record."
- Rick Cornell, Amplifier, Summer/1999 
"Buzz Zeemer's new record, Delusions of Grandeur, is a subversively brilliant pop-rock record... . Brown's innate gift for melody is surpassed by spare lyrics that reveal layers of meaning and emotion not apparent on first listen."
- Phil Sheridan, No Depression, 7/99
"On Delusions of Grandeur, they knock out 12 near classics and make it look so easy."
- Tim Hinely, Surfnews, Summer/1999 
"Delusions of Grandeur is in my top ten for 1999."
- Peter Blackstock, Co-Editor, No Depression, 12/99  
"...Singer and songwriter Frank Brown's tunes come on with a melodic subtlety that keeps bringing you back."
- Dan DeLuca, Philadelphia Inquirer, 2/96 
“…melodic pop-rock band Buzz Zeemer…has stepped up to the most-unjustly unsigned level since adding Tommy Conwell on lead guitar.” Billboard Magazine, “Indie Labels Discover Freedom in Philly” – 10/28/1995

Thursday, June 20, 2013

Tommy Conwell and the Young Rumblers - New Year's Eve 1999


On New Year’s Eve in 1999, the five band members of Tommy Conwell and the Young Rumblers who recorded
Rumble -- Tommy Conwell, Jim Hannum, Paul Slivka, Rob Miller and Chris Day -- reunited for a gig at the General Wayne Inn located in Merion, Pennsylvania.



























An article promoting the show [link no longer available on Philly.com], "A Hip-hop Start With Philly's Own Roots" from December 31, 1999, appeared in the Philadelphia Inquirer:
Tommy Conwell and the Young Rumblers
Since the 1980s glory days when he was scheduled to rise from the Chestnut Cabaret to rock icon status - an ascension which, alas, never came to pass - Tommy Conwell has settled into a comfortable position as a local guitar legend whose reputation gets better with age. Conwell did estimable axe work for melodic rocker Buzz Zeemer, and he's just released a fine, no-frills blues-party album called Hi Ho Silver! on the Lancaster LList label. To ring out the 1900s, he and his former backup band are reunited and sure to shake up the walls of the venerable General Wayne Inn with oldies but goodies such as "I'm Seventeen" and "I'm Not Your Man."
- Dan DeLuca





Concert images: